Wildscreen, the not-for-profit behind the world’s biggest festival of natural history storytelling, today revealed the line-up for its inaugural Official Selection Programme.

The charity introduced the Official Selection in 2020 to discover and honour bold, authentic and diverse stories that speak to different audiences with urgency about the natural world. The programme was established to open up the Festival to a wider range of documentary makers, embracing independents, with a more relaxed entry criteria compared to that of the Wildscreen Panda Awards which focuses on the craft of the wildlife genre.
The 2020 Official Selection honours 35 productions, 17 feature length and 18 short films, that are as diverse in style and subject as the natural world. The entries hale from 14 countries across 5 continents, each bringing a new perspective to the natural world and humanity’s relationship with it.
The myriad of complex relationships that exist between humans and nature features heavily amongst the selections which Wildscreen hopes will make a powerful contribution to the discussion on inclusion and diversity within the wildlife and conservation sector globally.

© Bayandalai's team
Rebecca Kormos and Kalyanee Mam’s CRIES OF OUR ANCESTORS, puts women’s voices at the forefront, documenting the peaceful relationship between people and chimpanzees in Guinea that have lived side by side for generations and threat of bauxite mining to both of their futures.
Aner Etxebarria Moral and Pablo Vidal Santo’s BAYANDALAI - LORD OF THE TAIGA, tells the story of the last elder of the Dukhas tribe, the great reindeer herders of the Taiga, questioning modern custodianship of nature through living testament of ancient ways of co-existence. In contrast, Ofelia de Pablo and Javier Zurita’s SHARING THE LAND, explores the conflict between shepherds and wolves, co-existing in Europe.

© Bayandalai's team
James Byrne’s OUR GORONGOSA shines a spotlight on what it means for people and wildlife to coexist, addressing intersectionality and exploring how Gorongosa is redefining the identity and purpose of an African national park.
Chelsea Jolly and Whit Hassett’s THIS LAND tells the story of land access in the U.S told through a journey of inclusion and empowerment, following runner and advocate Faith E. Briggs as she covers 150 miles on foot through three U.S. National Monuments that lay in the thick of controversy around public lands.

Our Gorongosa – © Gorongosa Media
Experimental technologies and storytelling techniques also feature in the line-up, with Joseph Purdam’s ECOSPHERE, a VR experience that spotlights indigenous and community led efforts to protect the natural world through experiential stories, and EARTHSONGS, a joyful celebration of wild soundscapes, utilising spatial computing technology from Mitch Turnbull and Ollie Lindsey.
The selections also feature films from established heavyweights of the natural history genre, including Victoria Stone and Mark Deeble’s THE ELEPHANT QUEEN, Apple TV+’s first documentary, and BBC Studios Natural History Unit’s EARTH FROM SPACE and PANGOLINS: THE WORLD’S MOST WANTED ANIMAL

© EarthSongs
Hundreds of submissions were received from over 40 countries, selected by an international and diverse team of over 30 pre-selectors and programmers, curating a screening programme that features original and creative stories about the natural world.
The team of programmers, LUCY MUKERJEE (USA), KEVIN MWACHIRO (Kenya), EMMA HUGHES (UK), LYNN NWOKORIE (UK), JONATHAN PEYNET (Germany) and PETER VENN (UK) had the tough job of curating the final selection.
Lucy Mukerjee, Senior Programmer at the Tribeca Film Festival and cofounder of the Programmers of Colour Collective said: “These engaging, emotionally impactful films eloquently and urgently present the state of planet Earth today in a way that feels both informative and inspiring. By putting the spotlight on little-known places and species, this cinematic collection reveals the high stakes of survival, and the delicate balance necessary in order for nature and humanity to coexist.”

© EarthSongs
Audiences will be able to stream the Official Selection films with selected director Q&A’s during the first ever virtual edition of the Wildscreen Festival which launches in September. Wildscreen announced back in May that it would taking the industry-leading event online, seizing the opportunity to make it the most inclusive and accessible Festival in its 38-year history. Three-month industry passes are on sale now at £125, with concessions offered at £50. Tickets can be purchased here.

Kokoly – © Blue Ventures, Garth Cripps, Ben Honey
Stories about the natural world have never been more important - we are the first generation to understand humanity’s impact on nature and the last to be able to protect and restore it. Wildscreen believes in the power of visual storytelling to spark positive and restorative action for our natural world, globally. Bold, authentic and varied stories that speak to different audiences with urgency and hope have never been so necessary. The Official Selection call for entries was open to anyone with a story about nature to share - and the submissions did not disappoint!
We received hundreds of submissions and worked with a team of pre-selectors and programmers to curate a screening programme that features original and creative stories about the natural world. The natural world is beautifully diverse and this strength will be reflected through the voices heard, tools used and stories shared within the Wildscreen Official Selection.
We are very proud to announce the first ever Wildscreen Official Selection films, they are...
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A Voice Above Nature
Annie Moir
United Kingdom |
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Bayandalai - Lord of the Taiga
Aner Etxebarria Moral, Pablo Vidal Santos
Spain |
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Clorofilia
Andrés Sehinkman, Jonathan Barg and Leandro Vital - Planta Alta TV
Argentina |
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Cries of Our Ancestors
Rebecca Kormos, Kalyanee Mam
United States |
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Earth From Space: Ep 1 A New Perspective
Barny Revill
United Kingdom |
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EarthSongs
Producer/Director: Mitch Turnbull
Creative Technologists and Designers: Ollie Lindsey, Adam Child, Olie Kay, Robin North, Chris Linington
Sound Design: Mitch Turnbull, Luke Reed, Olga M. Reed
Commissioner: South West Creative Technology Network
United Kingdom |
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Ecosphere
Joseph Purdam
Australia |
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Ecuador’s Hidden Treasure
Kata Karáth, Ana Naomi de Sousa
United Kingdom, Ecuador |
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Eye of the Pangolin
Bruce Young
South Africa |
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Flying Elephants - A Mother's Hope
Prakash Matada
India |
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Guardians of Ua Huka
Ben Cherry
United Kingdom |
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Horse Tamer
Hamid Sardar
France |
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Kokoly
Blue Ventures, Garth Cripps, Paul Antion
United Kingdom, Madagascar |
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Last Wild Places: Gorongosa
Director: Sarah Joseph
Executive Producer: Vanessa Serrao
United States, Mozambique |
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MY 25: The Ocean Between Us
Inka Cresswell
United Kingdom |
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Ophir
Alexandre Berman, Olivier Pollet
France, United Kingdom |
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Our Gorongosa
James Byrne
Mozambique |
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Pangolins: The World's Most Wanted Animal
Victoria Bromley
United Kingdom |
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Pushed up the Mountain
Julia Haslett
United States |
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Rewilding
Vincent Perazio
France |
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Serengeti Nature’s Living Laboratory
Day's Edge Productions for HHMI Tangled Bank Studios
United States |
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Sharing the Land
Ofelia de Pablo, Javier Zurita
Spain |
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She Walks with Apes
Caitlin Starowicz, Mark Starowicz
Canada |
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Sockeye Salmon. Red fish
Dmitriy Shpilenok, Vladislav Grishin
Russian Federation |
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STROOP - journey into the rhino horn war
Director: Susan Scott
Producers: Bonné de Bod, Susan Scott
South Africa |
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That's Wild
Michiel Thomas
Belgium, United States |
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The Condor & the Eagle
Sophie Guerra, Clement Guerra
United States, Germany, France |
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The Deep Med
Gil Kebaïli
France |
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The Disappeared
Kim Stewart
United Kingdom |
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The Elephant Queen
Victoria Stone & Mark Deeble
Kenya |
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The Octopus in My House
Anna Fitch & David Allen
United Kingdom |
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This Land
Chelsea Jolly, Whit Hassett
United States |
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Voices of the Pacific Flyway
Eric Liner
United States |
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Wild & Wool
Phillip Baribeau
United States |
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Zimbrul
Emmanuel Rondeau
France |
Wildscreen is based in Bristol, UK – the south west of England city nicknamed ‘Green Hollywood’ because it produces more natural history film and TV than any other city in the world. www.wildscreen.org

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