Wildlife Film News   
Issue 29
November 2001
www.wildlife-film.com
 
BBC MediaArc

Kodak - there's more to the story - www.kodak.com/go/story

 

 News Contents:

1. Lifetime Achievement
2. Florida Wildlife Film Festival
3. Alternatives to Release on Television
4. Hazel Wolf Call for Entries

5. Marmot Footage Needed
6. Our Island, Man
7. Manx Wildlife Images Needed

8. Londolozi Library For Sale
9. IWFF Silver Anniversary
10. Southern Star On-line
11. Author Seeks Documentary Producers
12. Festival de l'Oiseau
13. Flying Battery Advice Needed!
14. Bears Behind Bars Nominations
15. The End



1. Lifetime Achievement

Missing from last month's list of Jackson Hole Festival award winners was the all important Dieter Plage Lifetime Achievement Award. It was given to the Austrian underwater pioneer Hans Hass and his wife Lotte, and as they couldn't be there due to the Sept 11th tragedy, was accepted on their behalf by Dr. Walter Koehler of ORF Natural History Unit.
 

 
2. Florida Wildlife Film Festival

The Florida Wildlife and Western Art Exposition presents the Third Annual Florida Wildlife Film Festival

Last year was an astounding success! Over 1000 attendees viewed the work of 25 talented filmmakers. Styles and topics ranged from a troubling documentary on mining in Africa to a 3D animation on Manatee safety.

Next year the dates are February 1, 2 & 3 in Lakeland, Florida.
Films are not restricted to Florida nature and may include Native American themes that are primarily scenic or involve wildlife.
Length is limited to 60 minutes.
Closing date is January 4, 2002.
Entry fees are $30 for each submission. Student entry is $15.

For more information and an entry form:
Email - EarthCare@aol.com


3. Alternatives to Release on Television
 
A report from Hardy Jones ( hardyjones@home.com ):

At Jackson Hole there was much discussion of how we can use our film production talents to save wildlife and the environment. Virtually no broadcasters or programmers attended the two exciting meetings held by Filmmakers for Conservation (FFC) but there was obviously a standing room only crowd showing huge interest among filmmakers. A few days after Jackson I left for Japan and we unveiled a model for getting exciting, pertinent and compelling video material out to a large audience.

Larry Curtis, another FFCer and board member of BlueVoice.org, and  I flew to Japan to attempt to stop the slaughter of dolphins and small whales at Taiji, a fishing village south of Tokyo.  We arrived to find about 30 pilot whales being held in a bay for slaughter. The first morning we appeared with cameras just as the fishermen were about to begin the kill. After making very serious threats they withdrew from the bay and left the whales alive. The same thing happened the following day.

All the while we were videotaping our efforts to end the slaughter and filing daily audio reports which appeared on AnimalChannel.org (HSUS) and on
http://www.BlueVoice.org. We emailed out still photos which were posted on the sites and have begun cutting a verite film of the experience of trying to save the pilot whales. Some 115 thousand streams were delivered.  Tens of thousands of letters of protest were sent to Japanese authorities.

Ultimately we could not stop the slaughter. The fishermen came at 5:00am in a driving rain, thinking we would not be out - but we were. We taped the kill and when the fishermen discovered us they went ballistic.

"The fishermen threatened us on a number of occasions during our stay in Taiji," said Jones. On one occasion they threatened BlueVoice.org director Larry Curtis of Naples, Florida and Japanese associate Sakae Fujiwara with a knife.  "On several occasions the fishermen said that if we did not stop videotaping the drive fishery we would be killed", said Mrs. Fujiwara, a citizen of Japan.

While filming the slaughter of the pilot whales we were confronted by fishermen who attempted to steal our cameras and rip out the video tapes. Threatening the BlueVoice team with a heavy rod and slamming us with a construction hard hat, the assailants repeatedly said they would kill us if they were not given the tapes.

"When we fended them off our camera equipment they held us against our will, then attempted to force us to accompany them to an area where there were many more fishermen", said Jones. "That did not seem like a good idea so we broke free and after a prolonged struggle during which we fought them off the entire way, we made it back to our hotel."

We have brought charges against the fishermen which have been accepted by the Japanese police.

We used the internet to deliver audio and soon will release our film of the entire event. I don't know if there will be a broadcast venue for the film but it will certainly be streamed on the internet. There are ways to get the important stories out. But it does take imagination and a willingness to step off the beaten path.
 
www.bluevoice.org
www.filmmakersforconservation.org
 

4. Hazel Wolf Call for Entries
 
An international search for the best in environmental films and videos is currently in progress.

The Hazel Wolf Environmental Film Festival is one of the leading environmental film festivals in the country. More than just a time and place to see important films, the festival brings together diverse segments of our society, (from filmmakers to activists to educators and business leaders) to create a synergy of action and environmental issues and public opinion. Films will be accompanied by presentations from distributors, funders, broadcasters, filmmakers, and activists.

The fourth annual event will be held at the Sleeping Lady Conference Center in Leavenworth, WA. on April 11-14th, 2002.

Participate in:

· Screenings of environmental films and videos.
· Presentations by leading environmental filmmakers and activists.
· Workshops on improving media and applying it to classrooms and
campaigns.

Submissions deadline: December 10th,2001

Entry Fee: $25 (Checks to "Hazel Wolf Environmental Film Network")

Seeking works in all genres, addressing environmental issues. Special consideration to works associated with environmental campaigns. English or English subtitles only. Max. length 60 minutes.

Include:

· Name and contact information(including email) of producer and
distributor.
· Exact length and production year.
· VHS tape with name and contact information written on tape.
· SASE if you want tape returned.

Entry Form available online at http://www.hazelfilm.org/submit.htm

Please note you can print our CALL FOR ENTRIES for posting from http://www.hazelfilm.org/callfor.htm. We look forward to receiving your submissions.

Hazel Wolf Environmental Film Network
c/o KCTS
401 Mercer St.
Seattle, WA 98122

http://www.hazelfilm.org
 


5. 
Marmot Footage Needed

Jean-Marc Forclaz of Golden Pass Services in Switzerland is looking for footage of Marmots:

"On the summit of "Rochers de Naye", 2000 m above Montreux Switzerland, we have under construction a didactic center and park where all the marmots' species of the World will be presented. We also operate the rack railway to the summit.

The target of the center is to present ALL THE SPECIES in detail, including living animals of some species in very big parks like natural conditions on the summit. We are insisting on the aspects of the education and respect of the environment, we open next June with 7 species live on the summit, unique in the world.

For the didactic content I am looking for films of ALL species of marmots in the wild, and if available films of predators of marmots in action. "

See: www.marmots.ch

Marmot species:
Asia Europe: Marmota baibacina, bobak, camtschatica, caudata, hymalayana, marmota menzbieri, sibirica
North America: Broweri, caligata,flaviventris, monax, olympus, vancouverensis

Contact Jean-Marc Forclaz at  j-m.forclaz@mob.ch



6. OUR ISLAND, MAN
 
Here's an enticing invitation from John Callister to come and film the wildlife of the Isle of Man: 
 
 "Oh land of our birth, Oh gem of God’s earth" are the first two lines of the Manks National anthem and I think that it is a fitting description of our beautiful Island in the centre of the Irish sea. We have been separated from mainland Britain long enough for our flora and fauna to have developed individually and the species list is significantly distinct to be able to use the advertising slogan "It’s our differences that make the difference" to apply as well to our natural history.

The uniqueness of the Island is commemorated in the world of natural history. There is a flower, Rhynchosinapis monensis (L.) Dandy, that is called - Isle of Man cabbage. More famously we have a breed of tail less cat which probably due to our isolation a slight abnormality has been exaggerated by in breeding, the Manx cat is known throughout the world. The cat also has disproportionately long back legs which give it, (apart from the lack of tail) its distinctive rabbit like look. Epitriptus Cowinii, the Manx robber fly has it’s home in the Ballaugh Curragh.

In the large area of willow carr known as Ballaugh Curragh, don’t be surprised if a red-necked wallaby jumps out in front of you. There is now a large growing colony of some twenty to thirty animals and they appear to be surviving and growing in number and age range. The undisturbed nature of the Ballaugh Curragh, which is a unique wet land, supports a host of species of flowers and insects.

Ballaugh Curragh is also home to a large roost for the hen harrier. During the winter months an afternoons vigil can be rewarded by catching sight of as many as sixty birds coming in to the roost. The spectacle can be seen from October through until February.

The Island’s coasts are the haunt of the a magnificent aerial acrobat, the chough. The Isle of Man is fortunate to be home to a significant proportion of the British Isles population of choughs, in particular, the Calf of Man, a small island of the southern coast of the Island has a large established winter flock and their wonderful call regularly echoes across the heather.

The peregrine known in Manks Gaelic as Shirragh y Ree (King hawk) is also regularly seen in the skies over Mann. Traditionally the Island gave a pair of peregrines to the new monarch, but this practice ceased after the coronation of George IV. The raucous raven can often be heard and seen territorially ‘dogfighting’ with the peregrine in the skies over the heather moorland that forms the central part of the Island.

There are some common animals that are present on mainland Britain that do not occur on the Island, these include, deer, moles, badgers, snakes, squirrels, otters, toads and jays. But the Island more than makes up for these omissions with the wealth of natural history to be found there.

Contact John at John.Callister@mnh.gov.im
 

 
7. Manx Wildlife Images Needed
 
By sheer coincidence I have also just had a request for images of wildlife from the Isle of Man! Sharon Gardner and Lara Howe are working on a multimedia natural history display for the Manx Museum.
 
Sharon says: "We are searching for images of fauna and flora, primarily from the Isle of Man but also British species which may be relevant when describing species found around the Island. The images, video, stills, etc. are to be used to support the scientific research which is currently underway. The images may also be used in interactive displays and video clips of behaviour, etc. for both adults and children.  If selected the cost of the image will be negotiated by the Museum at the appropriate time."

Contact Sharon at GARDNERSharonG@aol.com
 

 
8. Londolozi Library For Sale
 
AN INVESTMENT OPPORTUNITY

THE LONDOLOZI PRODUCTIONS LIBRARY

(An African natural history film library - 20 years in the making)

Investment Summary

This offer includes the following commercial opportunities:

  • Cost effective new programming created from the untapped library.
  • Cost effective reversioning opportunities utilizing the back catalogue.
  • Future revenue from programming currently in production.
  • Future revenue from programming currently in distribution.
  • Revenue from the growing footage sales market.
  • New-media potential.
  • Rights to the "Tigers in Africa" multi-media event.
  • Rights to future multi-media "events" in Africa’s unique "theatres".

The Opportunity

A world-renowned Africa wildlife imagery library, representing a lifetime’s work, is for sale to an investor with the vision to exploit its true potential!

Filming in prime wildlife locations across Africa, John Varty and his team, have captured on Super 16mm film, the most comprehensive and unique African natural history images in the world. Londolozi Productions is synonymous with high-action African wildlife drama. Predator sequences featuring lion, leopard, cheetah, hyena and crocodile, are the hallmarks of the Londolozi Library. Included are unparalleled behavioral sequences featuring most of Africa’s fascinating mammal species and many of its reptile and bird species. Though chiefly an African library, it does contain footage of various species on other continents, including a range of Amazonian species, with dramatic jaguar sequences at the apex.

Perhaps the library’s rarest asset is the comprehensive footage of the African leopard. The lives of no less than 25 wild African leopards have been intimately chronicled. John Varty has spent, perhaps, more time than anyone alive today living close to these spectacular and elusive African cats.

An added dimension to this library is the imagery recorded during the raising and release of numerous predator orphans, from infancy to adulthood, capturing in the process unrivalled sequences, intimately recording the nature and behaviour and lives of most of the big cats: lion, leopard, cheetah and tiger.

The Londolozi Productions library is, unquestionably, a comprehensive natural history/wildlife archive, however, it encompasses more: a native perspective of African tribes and cultures. John Varty's long-standing relationship with Masai and Shangaan tribesman, provided him with privileged access to rarely seen ceremonies, rituals, traditions and superstitions and the warriors, healers, prophets, trackers and poachers which embellish African culture. This unique access has allowed John Varty and his team to closely record the daily challenges of human co-existence in Africa’s remote wilderness areas: the naked truth of slaughter and annihilation, poaching, culling and deforestation; the high drama of game capture; the politics of conservation; and more, are all contained within this library.

The Londolozi Productions archive currently comprises 3.5 million feet of Super 16mm negative, the majority of which is also accessible in Digital Betacam format, and 52 hours of multiple award winning documentary programming, most of which is in various phases of international broadcast distribution. The future revenues and rights from this broadcast distribution are included in this offering.

The following new programming is in production and all future revenues and rights thereto are included in this investment opportunity:

  • The "definitive" leopard documentary in association with the highly acclaimed executive producer, Michael Rosenberg.
  • A biographical documentary on John Varty’s fascinating and unconventional life, having "lived" with lion, leopard, cheetah and tiger.
  • An in-depth documentary investigation into tourism, highlighting the pressures and impact of ecotourism on animal behaviour in Kenya’s famous Masai Mara.
  • A 26-part wildlife series for the children’s "edu-tainment" broadcast market.

John Varty now has a vision to create a sanctuary in Africa wherein wild-born tigers can survive freely for the ultimate re-introduction into restored wild areas in Asia. In the process, large tracts of land, ecologically and economically bankrupted, by indiscriminate agriculture are being restored to their former bio-diversity under wildlife.

This fascinating project has been, and will continue to be, captured on film with the objective of creating an unrivalled multi-media event incorporating multi-faceted broadcast, live internet feeds, publishing, merchandizing, etc.

To date, Londolozi Productions’ film crews have captured, on Super 16mm film and DVCam, 150 hours of what is, unquestionably, the most extensive close contact tiger footage ever filmed.

This project is the culmination of a lifetime of work in conservation and wildlife filmmaking and is the motivation behind the decision to make this project his core focus for the foreseeable future. Hence the cessation and disposal of all other filming activities and the film library.

If this opportunity ignites your interest, and if you have the vision and capacity to develop the full potential of this unique and untapped resource, we look forward to exploratory discussions with you.

Oloff Bergh
Londolozi Productions (Pty) Ltd
Telephone: + 27 11 784 9375
E-mail:
oloff@global.co.za


9. IWFF Silver Anniversary
 
It's hard to believe that we're on the eve of the 25th Silver Anniversary of IWFF-Missoula. Twenty five years ago, IWFF was an idea - to be the world's first juried film festival to focus global attention on wildlife and habitat. Today, that dream has become an international gathering of wildlife filmmakers and the wildlife film industry - professionals and students, newcomers and biologists, educators and field scientists, whose films represent scientific accuracy, artistic and ethical production values, educational impact - the creme de la creme of wildlife film. As we plan for a spectacular 25th IWFF-Missoula, April 20-27, 2002 - we invite you to join us in Celebrating a Quarter Century of Wildlife in Film.

This is a significant milestone for IWFF-Missoula and we've come a long way in the world of wildlife film. When you reflect on where we were 25 years ago in the portrayal of wildlife, in our understanding of habitat and ecosystems, where we were technologically and where we are today, we have advanced light years. At the same time, our natural world is in a massive evolution - the fate of thousands of species including our own, hangs in the balance. Our need to document, understand, educate and build connections between people and nature is at a critical point in time.

The films and television programs that you enter into the 25th IWFF and your participation in this festival is the essence of our mission - to foster and promote knowledge and understanding of wildlife and habitat through excellent and honest wildlife films and other media. The films that are entered represent your commitment to natural history filmmaking and to our natural world. Our judging guidelines are rigorous and time intensive but are ensured of objective, professional analysis. When a film receives an award it has been recognized for exceptional qualities.

For the 25th IWFF-Missoula we welcome many new friends and old. For the first time, The Maine Workshops will join us as our education collaborators, ensuring exceptional workshops before, during and following the 25th Festival. New professional and social opportunities will abound for newcomers and professionals alike.

Please join us as we build toward a new century of unforgettable wildlife film by submitting your work into the 25th International Wildlife Film Festival, April 20 - 27, 2002. A full downloadable description of our entry rules and guidelines can be found on our website at www.wildlifefilms.org. Information pertaining to our judging process, categories, awards and workshops are described in detail as well. If for any reason you are unable to access this site please contact Katie Fernandes with your request at tel. 406.728.9380 / email: iwff@wildlifefilms.org.
International Wildlife Film Festival
Missoula, Montana
tel: (406) 728-9380
http://www.wildlifefilms.org
Join us for our 25th Festival, April 20-27, 2002
 


10. Southern Star On-line
 
For the first time, buyers can access Southern Star Sales’ 14,000 hour catalogue on-line, with the launch of the company’s website (http://www.southernstargroup.com), coinciding with MIPCOM.

Programming can be searched by categories including genre, year of production, duration and key cast.

"We’ve developed the site to be of maximum use to buyers. Having just met our sales team at MIPCOM, buyers can now fine tune their areas of interest from their own computer screens," Southern Star Sales Chief Executive Cathy Payne said.

The site also features news on recent acquisitions and upcoming releases, sales and product news as well as profiles on selected titles. Links to dedicated title sites are also featured.

"Visitors to the site can also get a run down of all Southern Star operations in Australia and Britain - from production, to sales and our duplication facility. They can also learn more about our key personnel and email them direct from the website," Ms Payne said.


 
11. Author Seeks Documentary Producers
 
Eric Jay Dolin would like to contact film companies about producing documentaries that tie into two books he is writing.  

The two books are America's Wildlife Refuge System (The Smithsonian Institution Press, publication date, March 2003 -photographer, Karen R. Hollingsworth) and Political Waters: The Cleanup of Boston Harbor (University of Massachusetts Press, scheduled publication date late 2003). Below are brief descriptions of the books and why he believes they would make excellent documentaries. If you are interested in these projects, please contact Eric at the email address below for further information.

America's Wildlife Refuge System. The National Wildlife Refuge System (NWRS) will celebrate its one-hundredth anniversary on March 14, 2003.  It's a milestone worthy of a documentary.  As the only network of federal lands set aside exclusively for the conservation of fish, wildlife, and plants, the NWRS is one of this country's great natural treasures, visited annually by 38 million people (the system is managed by the U.S. Fish and Wildlife Service).  More than 530 NWRs span the fifty states and several territories and provide important habitat for nearly fourteen hundred species of animals and fish, including many that are endangered.  Covering ninety-three million acres, the NWRS is larger than the National Park System and just as beautiful in its variety and visual impact.  It is an integral part of our national connection to nature and commitment to conservation. A documentary on the NWRS would tell a fascinating story, full of breathtaking images.

America's Wildlife Refuge System will be a coffee-table style book, a little over 200 pages, with roughly 250 full-color and black and white images. The book will run from the colonial era up through the present, detailing the plight of wildlife, the precursors and origins of the NWRS, its growth and development, and the issues/obstacles/opportunities it faces as it begins its second century.  It will also include more detailed profiles of eight to ten refuges representative of the broad range of habitats, species, and goals of the system.

A documentary on the NWRS would not only benefit from the publication of America's Wildlife Refuge System, but it would also benefit from the many other high-profile activities planned for the system's centennial.  For example, the Smithsonian's Natural History Museum is preparing a major exhibit on the NWRS that will open in March 2003 and span six months (plans are in the works to have a travelling exhibit as well).
 
The American Zoo and Aquarium Association is partnering with the Fish and Wildlife Service to launch a major exhibit with the National Zoo and zoos and aquaria around the country, and more than 50 other groups nationwide have expressed interest in a variety of partnerships highlighting endangered species recovery on refuges, habitat restoration, native wildlife conservation, and volunteerism. Refuges nationwide will be running special programs leading up to and during 2003. A Congressionally-appointed Centennial Committee is at work developing other wa! ys to highlight the importance of the NWRS.  And, there is the possibility that the U.S. Postal Service will issue commemorative stamps in honor of the Centennial.  In effect, 2003 will be the year in which the American public is reintroduced to the NWRS.   

Political Waters: The Cleanup of Boston Harbor.  The cleanup of Boston Harbor is one of the great untold environmental stories of American history.  Political Waters: The Cleanup of Boston Harbor will show how the harbor became one of the most polluted and ridiculed bodies of water in the world and then, through a massive infusion of judicial and political will, cash and engineering talent, was transformed into an environmental success story.  This story is exciting because it involves history, politics, bureaucratic wrangling, powerful personalities, scientific uncertainty, skyrocketing water and sewage bills, courtroom drama, dozens of lawyers, millions of people, and billions of dollars.  
 
The documentary could, like the book, tell the entire story of the degradation and cleanup.  This would mean reaching back to colonial times when the harbor first became a receptacle for society's waste, taking a ride through the 1! 800s, when sewage became a major issue for health, olfactory, and aesthetic reasons, and then watching as the massive sewage systems and plants constructed in 1884, 1904, 1938, and 1968 fell into abysmal disrepair and uselessness as a result of neglect, apathy, and the lack of political will.  
 
The film would also show how a state court, presided over by a flamboyant judge, forced the legislature and the governor to create the Massachusetts Water Resources Authority, and then how the MWRA, under the auspices of a federal district court order, successfully built, on time and under budget, one of the largest, most expensive ($4.9 billion), and most modern sewage treatment facilities in the world. The cleanup of Boston Harbor is not only an exciting story, it is an important story about one of the most fundamental services humankind provides for itself-sewage treatment. I am confident that a documentary on the cleanup of Boston Harbor would be of great interest to viewers in New England and the rest of the country.

Contact Eric at: Ericjayd@aol.com
 

 
12. Festival de l'Oiseau
 
The Bird and Nature Festival (Festival de l'Oiseau) is a annual event that draws nature lovers from north of France, Belgium and Great-Britain.
 
A wide range of exciting activities is planned during the week. For nine days attendees are tempted to visit the area the bird sanctuary and many photographic and wildlife art exhibitions.
 
Each film in competition will be viewed at the Abbeville Theatre. A unique opportunity for the public to watch the best of wildlife films. Seminars, workshops for children, guided walks will also be held during the week. The award ceremony is a highlight of the Festival with its bird call contest.
 
Festival de l'Oiseau is April the 6th to the 14th 2002, in the Bay of Somme, France.
 
Further information from www.festival-oiseau.asso.fr
 

 
13. Flying Battery Advice Needed!
 
Cameraman Brian Conlan is looking for advice on maintaining battery life/performance while shooting from a hang-glider (if possible without wearing batteries close to body) in the Himalayas. Temperature range from 0C to -40C. The video formats he'll be using are Digibeta and mini DV. Any advice from people who've experienced these shooting conditions would be greatly appreciated.
 
Contact Brian Conlan at conlanb@mailbox.co.uk
 

 
14. Bears Behind Bars Nominations
 
BEARS BEHIND BARS is a 50 minute documentary, produced by UK independent production company Imago and premiered on Animal Planet Europe in May 2001. The film follows the plight of Victor Watkins, Director of WSPA's Libearty Campaign, on a mission to expose the cruel and barbaric treatment of thousands of captive bears, kept for the tourist industry in Japan’s squalid bear parks. Working together with Japanese conservationists Victor explores the complex historic relationship between bears and people in Japan, embarking on a campaign to change attitudes and legislation concerning the parks in which the bears are forced to live.

This powerfully emotive film clearly demonstrates why we should all act now to end the suffering of Japan's bears, hence its many nominations for The Ark Trust’s 16th Genesis Awards - an international award recognising filmmakers who spotlight animal rights issues and campaign for changes to be made. As Bears Behind Bars is due to be re-screened worldwide on both Discovery and Animal Planet channels during Adopt a Wild Animal Day on 25th November, you too will have the opportunity to nominate by visiting: www.arktrust.org/genesis/nomination.asp . Your nomination counts so please go online now!

For further details of the production company Imago go to www.imagoproductions.tv 
 

 
15. The End
 
A message from Peter Schofield:
 
"This week (31/10/01) saw the end, I've locked the doors and turned the lights out on the world's longest running and most successful wildlife television programme, "Survival".

Granada, in it's wisdom closed Survival, not moved it to Bristol, or any where else, but CLOSED it.   Nearly 40 staff were made redundant.

This has to be a great loss to the TV industry, another high quality programme disappearing.  Granada may still have the name and I'm sure you will see new "Survival" programmes appearing, but the same quality, I doubt
it.

We were told "Blue Chip" wildlife programmes are not popular any more, I'm sure the BBC with their excellent "Blue Planet" series would disagree and on the recent  run of Survival programmes on ITV on Sundays at 6.30,  Survival achieved an average of 5 million viewers, with 1 show gaining over 6 million.  The run of 5 shows was so successful that ITV ran 3 more programmes.

Yet Granada closed Survival down, doesn't make any sense does it?

So goodbye Survival and goodbye and thanks to all the people who have worked on, or with Survival over the last 40 years."

Peter Schofield
Ex Production Controller
 

 
That's it!  Send me YOUR news for the next issue and for the site.
This newsletter goes out to thousands of people in the wildlife film-making industry world-wide.
Piers Warren
Editor/Producer
www.wildlife-film.com
 
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